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    • Vol. 28 Binary
    • Vol. 27 Revive
    • Vol. 26 Liminal
    • Vol. 25 Equilibrium
    • Vol. 24 Wake
    • Vol. 23 Live
    • Vol. 22 Hoax
    • Vol. 21 Futures
    • Vol. 20 Fear
    • Vol. 19 Exhibitionism
    • Vol. 18 Piracy
    • Vol. 17 Deja Vu
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Antithesis Journal

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Antithesis Journal

  • About
  • Committee
  • Get Involved
  • Subscribe
  • Blog
  • Shop
  • Contact
  • Archive
    • Vol. 28 Binary
    • Vol. 27 Revive
    • Vol. 26 Liminal
    • Vol. 25 Equilibrium
    • Vol. 24 Wake
    • Vol. 23 Live
    • Vol. 22 Hoax
    • Vol. 21 Futures
    • Vol. 20 Fear
    • Vol. 19 Exhibitionism
    • Vol. 18 Piracy
    • Vol. 17 Deja Vu

Don’t let the bastards grind you down

October 22, 2019 Antithesis Journal
Don’t Let The Bastards Grind You Down  exhibition photo by Lisa Jacomos.

Don’t Let The Bastards Grind You Down exhibition photo by Lisa Jacomos.

Lisa Jacomos reflects on her curatorship of Don’t Let The Bastards Grind You Down, an exhibition hosted at Melbourne’s George Paton Gallery from 7 to 16 August 2019. Lisa co-curated the exhibition with Cathryn Ross following the pair’s trip to New York City where they aspired to ‘uncover art that spoke for the people’. After gathering materials such as ‘zines, posters and ephemera’, the curators decided to place material from New York side-by-side with material by Melbourne artists. The resulting exhibition highlighted commonalities and differences in art-based activism in both cities, including unexpected findings such as the use of humour in Melbourne’s visual culture – a trait that was not typically employed found among the New York activist art.

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In Creative non-fiction, Event Tags George Paton Gallery, Melbourne art, New York City art, Art activism

The art of comedy

April 14, 2019 Antithesis Journal
The Duchess of Alba by Goya.   This painting is displayed at the Hispanic Society of America; the image has been sourced from the museum’s  website .

The Duchess of Alba by Goya.
This painting is displayed at the Hispanic Society of America; the image has been sourced from the museum’s website.

Lisa Jacomos reviews Hannah Gadsby’s funny, clever new show, Douglas.

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In Event, Review Tags Hannah Gadsby, Melbourne International Comedy Festival, Australian comedy, Melbourne, Palais Theatre, Art, Goya, Louvre, Donatello, Rubenesque, Rubens

Speaking the same language

April 13, 2019 Antithesis Journal
Exhibition photograph sourced from    La Mama

Exhibition photograph sourced from La Mama

Caitlin Cassidy discusses reciproco/RECIPROCAL, a multidisciplinary art exhibition taking place in Carlton this April, which explores Italian immigration and cultural identity.

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In Event Tags Art, Melbourne art, Carlton, culture, community, Italo-Australian, Reciproco/RECIPROCAL, Domenico de Clario
We raised over $200 for the Indigenous Literacy Foundation yesterday thanks to your wonderful support! Anyone else excited for some beautiful spring weather?
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🖼 Fatata te Miti (By the Sea), by Paul Gauguin Devotion meets design: the monastery of La Tourette was Le Corbusier’s final and most important building, designed to house a community of silent monks. This Modernist concrete structure serves as a place of worship, residence and learning. (Photo from Hotels We Love) Dieter Roth. Bunny-dropping-bunny (Karnickelköttelkarnickel), 1968. Courtesy of MoMA.

A rather unorthodox ‘chocolate’ bunny made from straw and rabbit droppings - maybe not one to gift this Easter. Patti Smith, ‘Devotion’ Tai in thought by Connor Amor-Bendall. Read more at https://bit.ly/2TU6gt1 The Family Source was a spiritual commune established by Father Yod (born Jim Baker), the owner of one of America’s very first health food restaurants. Its 150 members, including Baker’s fourteen wives, lived together in a Hollywood Hills mansion, where they were influenced by the teachings of guru Yogi Bhajan and the astrological age of Aquarius. (Photo from Isis Aquarian Archives) Henri Matisse. View of Notre Dame, Paris, quai Saint-Michel, spring 1914. Courtesy of MoMA.