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    • Vol. 28 Binary
    • Vol. 27 Revive
    • Vol. 26 Liminal
    • Vol. 25 Equilibrium
    • Vol. 24 Wake
    • Vol. 23 Live
    • Vol. 22 Hoax
    • Vol. 21 Futures
    • Vol. 20 Fear
    • Vol. 19 Exhibitionism
    • Vol. 18 Piracy
    • Vol. 17 Deja Vu
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Antithesis Journal

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Antithesis Journal

  • About
  • Committee
  • Get Involved
  • Subscribe
  • Blog
  • Shop
  • Contact
  • Archive
    • Vol. 28 Binary
    • Vol. 27 Revive
    • Vol. 26 Liminal
    • Vol. 25 Equilibrium
    • Vol. 24 Wake
    • Vol. 23 Live
    • Vol. 22 Hoax
    • Vol. 21 Futures
    • Vol. 20 Fear
    • Vol. 19 Exhibitionism
    • Vol. 18 Piracy
    • Vol. 17 Deja Vu

Christmas Clichés

November 13, 2019 Antithesis Journal
Image from Pexels on    Pixabay

Image from Pexels on Pixabay

Caitlin Cassidy reflects on the last Christmas she spent at her grandmother’s farm in this painfully relatable piece about the self-absorption of youth and the life lessons that can only be learned in retrospect.

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In Creative non-fiction Tags Melbourne christmas, Australian christmas, family, Christmas cliches

Diary of a bookseller

October 28, 2019 Antithesis Journal
Photo by    Pixabay    from    Pexels

Photo by Pixabay from Pexels

There is a saying among booksellers: it would be the best job in the world if it weren’t for the customers. Of course, this isn’t really true. Customers are what make the days memorable − those strange, intimate interactions remind me why I love books in the first place.

Caitlin Cassidy reflects on some memorable moments during her time as a bookseller.

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In Creative non-fiction Tags bookselling, diary of a bookseller, reflections on bookselling, bookshops, Readings, Melbourne bookselling

Don’t let the bastards grind you down

October 22, 2019 Antithesis Journal
Don’t Let The Bastards Grind You Down  exhibition photo by Lisa Jacomos.

Don’t Let The Bastards Grind You Down exhibition photo by Lisa Jacomos.

Lisa Jacomos reflects on her curatorship of Don’t Let The Bastards Grind You Down, an exhibition hosted at Melbourne’s George Paton Gallery from 7 to 16 August 2019. Lisa co-curated the exhibition with Cathryn Ross following the pair’s trip to New York City where they aspired to ‘uncover art that spoke for the people’. After gathering materials such as ‘zines, posters and ephemera’, the curators decided to place material from New York side-by-side with material by Melbourne artists. The resulting exhibition highlighted commonalities and differences in art-based activism in both cities, including unexpected findings such as the use of humour in Melbourne’s visual culture – a trait that was not typically employed found among the New York activist art.

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In Creative non-fiction, Event Tags George Paton Gallery, Melbourne art, New York City art, Art activism

Bojack Horseman or: How I learned to stop worrying and love myself

September 22, 2019 Antithesis Journal

Rasheeda Wilson contemplates what Bojack Horseman can teach us about ourselves.

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In Creative non-fiction Tags Bojack Horseman, Netflix, Anxiety, Depression, Satire

A glimpse of an Orwellian future

September 9, 2019 Antithesis Journal
Image by    SherlockCai    from    Pixabay

Image by SherlockCai from Pixabay

We are all aware that our apps know too much about us. We even allow ourselves to be rated on apps (hello, Uber!) But what if the government had access to this personal data? This may be the reality when China introduces its Social Credit System, as discussed by Caitlin Cassidy.

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In Opinion, Creative non-fiction Tags WeChat, Black Mirror, Shanghai, Orwellian, Social Credit System
Older Posts →
We raised over $200 for the Indigenous Literacy Foundation yesterday thanks to your wonderful support! Anyone else excited for some beautiful spring weather?
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🖼 Fatata te Miti (By the Sea), by Paul Gauguin Devotion meets design: the monastery of La Tourette was Le Corbusier’s final and most important building, designed to house a community of silent monks. This Modernist concrete structure serves as a place of worship, residence and learning. (Photo from Hotels We Love) Dieter Roth. Bunny-dropping-bunny (Karnickelköttelkarnickel), 1968. Courtesy of MoMA.

A rather unorthodox ‘chocolate’ bunny made from straw and rabbit droppings - maybe not one to gift this Easter. Patti Smith, ‘Devotion’ Tai in thought by Connor Amor-Bendall. Read more at https://bit.ly/2TU6gt1 The Family Source was a spiritual commune established by Father Yod (born Jim Baker), the owner of one of America’s very first health food restaurants. Its 150 members, including Baker’s fourteen wives, lived together in a Hollywood Hills mansion, where they were influenced by the teachings of guru Yogi Bhajan and the astrological age of Aquarius. (Photo from Isis Aquarian Archives) Henri Matisse. View of Notre Dame, Paris, quai Saint-Michel, spring 1914. Courtesy of MoMA.